Fruit Follies
Works >> Fruit Follies >> Strawberry Beds
The Strawberry Beds
Title: Strawberry Beds
original 12"x9" felt ink pen
on 60lb 98GSM acid free paper
2020
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The Strawberry Beds is part of a collection called Fruit Follies, which is meant as "a playful tongue-in-cheek poke" at still life compositions which often depict a fruit bowl or fresh-cut flowers in a vase of some kind. I'm playing here with the idea of still life putting it in some absurd type setting. The Strawberry Beds, for example, shows a punet of strawberries as if placed in a some sort of float in a parade or raised in a bed of some kind. The Strawberry Beds is actually a place, a quiet forgotten pocket of countryside near where I grew up, in Dublin, Ireland.
Situated along the river Liffey, I remember my father driving to Strawberry Beds with his young family and his German wife (my mother) and stepping into a small bare looking pub by the side of the road. There he ordered a pint, a gin and bitter lemon, and 7Up for me and her sister. Once settled around the small bar table in the otherwise deserted pub, my father unfolded his arms, took a sip from the pint in front of him, and went into his story-telling explaining very proudly that a "linguist" in the early part of the century came here from England to study the local accents and dialects. The linguist declared after extensive travel in the English speaking parts of the world, that The Strawberry Beds has the clearest spoken English in the whole world.
I remember being no more than five years old, recalling this was the first time I had heard the word "linguist" which sounded highly exotic. I recall looking around to see if the linguist would appear. I remmeber the sun shining through the net curtains and looking around the room seeing no one to verify her father's claims. I remember continuing to sip on the straw that kept disappearing into the 7Up bottle realizing it was the first time my sister and I had been allowed to have a fizzy drink from a bottle. I remembers sitting there expectantly waiting still for the linguist and others to appear speaking this illusive sounding English but no one appeared. I then remember, as we all got into the car and were driving away, looking for the strawberries and again there were none. Yet my father seemed delighted by the whole outting. She recalls feeling bewilderment that somehow she had missed something quite "extraordinary", a word my father kept repeating enthusiastically and smiling proudly when he referred to Strawberry Beds.
Decades later, I query with interest how we move in the consciousness of our own memories and the felt meanings of these experiences. The experience and subsequent association of Strawberry Beds was positive yet absurd at the same time and this, argues I would argue, is the felt-experience that lingered preserving the memory. Abstract art is, in some ways the perfect medium where this sense of contradiction in consciousness can finally have a place where the unconscious can be expressed and it make "sense".
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I invite you to become part of the unfolding consciousness experience and email me about your insights/thoughts/ideas about what this artwork invokes for you.